Kodak Gold 200 35mm Film

Taken me a year and half to give this a try and after seeing the results I regret not trying it sooner.

I’ve seen Kodak Gold 200 on the shelves of my favourite film shop in Hong Kong every time I go in there (almost weekly) but for some reason have never had the urge to try it.  Last week I just bought a couple of rolls on impulse, shot them over the weekend and got the negatives back today. The look of this film is sa-weet. realistic colours, very little grain and pleasing skin tones.  I shot Kodak Gold 200 with my Leica MP and a lens I don’t use that much, the Zeiss 50mm Sonnar 1.5 ZM.

Kodak Gold 200

Before showing some samples of Kodak Gold 200, I want to have a bit of a rant.  It’s not really the film that makes the photo, it’s the photo itself. Sure, the film can make a difference, but when you’ve got any of the consumer grade colour negative films, whether it’s Fuji’s Superia X-Tra or Fuji Industrial or Kodak Gold 400 or UltraMax, you’re not going to convince me that any of them made a photo. It’s the same for camera’s.  Honestly, I don’t think there’s any chance I’d be able to tell you if a photo was taken with my former Leica M6 + 35 Summicron V3, versus my Leica MP + 35 Summicron V4.

Kodak Gold 200

My point is, I wouldn’t get too worried about what film you’re using. I’m not really reviewing films, more like just showing a few samples so you can hopefully have some idea of what each one looks like.  As I’ve said before, it’s almost, no, it’s definitely almost pointless even giving samples because a lot depends on how the film was scanned, and more importantly, it’s film, it’s not supposed to be displayed on a computer screen.  You need to see the prints, touch the prints.

Kodak Gold 200

So with that said, here’s some samples of Kodak Gold 200, bearing in mind I’ve only shot 2 rolls.

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

Kodak Gold 200

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